Tuesday, May 29, 2012

Workshop in Scotland!

Scottish Workshop: Inchmahome Priory Painting Day

One of the delights of the upcoming Scottish Highlands Workshop will be a visit to
Inchmaholm Priory, on an island in the Lake of Menteith.









We'll catch the small ferry--12 passengers--from the Port of Menteith, crossing to the island for a morning of painting. We'll have a picnic at lunchtime, and we'll either spend the afternoon on the island, too, or head back to the Port, to paint the lake and the church. It figures to be a great day.

Photo Sylvia Duckworth








Photo Richard Zahra

The five year-old Mary, Queen of Scots, was spirited away to Inchmahome by her mother, Mary of Guise, to protect her during a difficult time in English-Scots history, a period called The Rough Wooing.




More information about Inchmahome from the Historic Scotland website.

Come join us on a painting adventure of a lifetime. For more details, see September in the Highlands, below.

Saturday, March 24, 2012

Workshop in Scotland!



September in the         Highlands



  











A  Seven-day Plein Air Painting Workshop 
with Donald Jurney
based in Perthshire, Scotland
September 22 to September 29, 2012
$750.00 

Come along and join American landscape painter Donald Jurney on a seven-day, "September in the Highlands" plein air painting workshop. We'll paint amid the breathtaking scenery of Loch Lomond and Loch Katrine, surrounded by glens and great mountains.
Located right on the edge of the Trossachs, and proud of its claim to Rob Roy, Callander is the gateway to this glorious area. Although small, it has a long history of hospitality, and has played host to Sir Walter Scott, and to Dorothy and William Wordsworth. The Glasgow Boys painted in the area, and John Ruskin spent a memorable time in Brig o' Turk.


There are a wealth of B&Bs, and several inns, in Callander. A number of restaurants and pubs can keep us well-fed, and ready to explore and record the manifold colors of the Highlands.


The workshop is seven days. It is recommended that, if possible, you arrive in Scotland a day or two earlier, in order to take the edge off your jet-lag. We will meet in Callander on Saturday morning (9/22), and get to know each other a bit. Donald will spend some time talking with you about painting, and hearing about things you'd particularly like him to address during the workshop. We'll break for lunch, then assemble at our first painting spot. Here, Donald will do a short demonstration, followed by painting time. At the end of our afternoon of painting, Donald will give a short critique. Pretty exhausted, we'll all be ready for supper and bed!

On each of the next six days, we'll begin with a morning demonstration, followed by painting until lunchtime. In the afternoon there will be another demonstration, followed again by more painting time. The session will finish with an end-of-day critique, where everyone's work will have a chance to be center stage. Donald will suggest useful things to think about, and give helpful pointers toward making better paintings.

During every painting session, Donald will visit each artist's easel, answering questions, and giving help and advice.It's important to Donald that you understand all the things he'll be talking about, and that
you return home refreshed and re-invigorated, armed with a myriad of new skills, ready to make great leaps in your work. You will be encouraged to ask for help, and to remember that there are no stupid questions. Although the participants will be of varying experience, from novices to advanced students, Donald seeks to create a mood of collegiality, and he expects everyone to be on board.

Should we have the opportunity, Glasgow and Edinburgh are both not far away, filled
with great museums. If you should wish to take some time to do other things, like shopping or sightseeing, you should feel free to do so, taking a morning, or an afternoon, or even a whole day off----guilt-free.  

This workshop will fill quickly, so you must reserve your spot as soon as possible. Particularly with a view to the Jazz Festival, mentioned in the accommodations section, below.


Please write to Todd Bonita, at tmbonita@gmail.com, or at 1-603-819-9100, to claim your place in the workshop. Todd will be happy to answer any questions you may have.

Transportation to and from Callander, and while you are in residence, will be the responsibility of each student, as will accomodations, and all meals. Please be aware that the cost of $750.00 represents only the cost of your tuition for the workshop. All other expenses are your responsibility.

.
You may also be pleased to know that there is no requirement that you be able to play the bagpipe, or that you wear a kilt while painting on the braes.










  • Reserve workshop and Payment
  • Accommodations
  • Art Supply List
  • Frequently Asked Questions
  • Perthshire area info


  • Monday, November 14, 2011

    Maudslay State Park Plein air painting workshop May 15 - 18, 2012



    "Spring at Maudslay" Plein air painting workshop with Donald Jurney

    Maudslay, Newburyport, Massachusetts.
    May 15- 18, 2012
    $475.00
    This Workshop is filled. Please Contact Todd Bonita
    (contact information below) if you wish to be placed on the waiting list in case of cancellations. 

    Join American landscape painter Donald Jurney on a four day, "Spring at Maudslay" plein-air painting workshop at this wonderful, 450-acre former estate, situated along the the Merrimack River in historic Newburyport, Massachusetts. Maudslay features both garden and meadow/woodland subjects, in addition to views from the bank of the Merrimack itself. Among the many remarkable features is the spectacular May blooming of the azaleas and rhododendrons. Filled with both ornamental trees and towering pines, Maudslay offers an ever-changing panoply of subjects, from rolling fields to a secluded brook, and it boasts one of the largest naturally-occurring stands of mountain laurel in the Commonwealth. This breathtaking landscape is an inspiring location to paint and to learn. Through demonstrations, discussions, and critiques, as well as hands-on painting, side-by-side in the field, Donald will show us how to see this Newburyport landscape with the eyes of an artist, and will further our own understanding of the language of painting.

    On Friday, the workshop will culminate with another short demonstration in Donald's Amesbury, Massachusetts studio, housed in an historic 19th c. brick studio building. There Donald will give one last critique, and will take another opportunity to answer questions, focusing especially on using our newly-gained insights when we're finally back in our own studios. At mid-day, we will be Donald's guests at a farewell lunch where we can all make plans for keeping in touch with our new friends.

    To reserve a spot in this workshop, please email Todd Bonita at tmbonita@gmail.com or call (603) 819-9100. Supply list, directions, accommodations and general information is accessible by clicking on any of the pertinent links below.

    Sunday, October 16, 2011

    Vermont Plein air painting workshop June 05-08, 2012


    Vermont Plein air painting workshop with Donald Jurney
    (with visit and museum talk at The Clark Art Institute)
    June 05 -08, 2012
    $450.00 (Limit 15).
    This Workshop is filled. Please contact Todd Bonita (contact information below) if you wish to be placed on the waiting list in case of cancellations.

    Join American landscape painter Donald Jurney on a 4 day plein air painting and museum adventure in and around the hills and valleys of Vermont. Perkinsville and Chester, Vermont were locales for some of the best works by Willard Metcalf (1858-1925). We will find some of his chosen sites and paint and learn together along the Black and Little Williams Rivers, all dominated by Hawks Mountain. The workshop will begin with a visit and museum talk at the Clark Art Institute in Williamstown, MA. Donald will discuss a number of the paintings, speaking of particular compositions, techniques and moods that we will consider during our painting sessions. Through demonstrations, discussions, critiques and hands on painting side-by-side in the field, Donald will show us how to observe the Vermont landscape through the eyes of an artist and further our understanding of the language of painting.

    Twelve rooms at the Inn at Weathersfield in Weathersfield, VT have been blocked specifically for this June workshop and will serve as the base camp for our four-day adventure. The Inn is listed as among the best in the U.S. and has a restaurant and Tavern of great reputation. It is recommended that you book early, as rooms are on a first come-first-serve basis. There are other accommodations available nearby if necessary.

    To reserve a spot in this workshop, please email Todd Bonita at tmbonita@gmail.com or call (603) 819-9100. This workshop is limited to fifteen participants and is expected to fill.
    Supply list, directions, and general information is accessible by clicking on any of the pertinent links below.




    Saturday, October 15, 2011

    Art Supply List

    SUPPLY LIST
    (We will be painting outdoors, not far from our vehicles but think "light" and "portable"). There are many online art suppliers, Click any of these links to go directly to these sites:

    Easel
    or
    portable pochade box mounted on a photographers tripod for working outside.

    Palette
    Wooden palette

    Painting surface
    Bring 2 canvases for each painting day. 18x24" or smaller is recommended.
    *Wind River Arts carries Linen mounted canvas boards.

    Paint
    From Donald, regarding the palette: You will notice that there are 13 colors plus white, on the suggested palette list. Some of these colors may be new ones to you and some students may be surprised to see no cadmium yellows, cadmium red, or phthalo blue. I personally think that they are too strident for outdoor painting and they definitely require tremendous care to make sure they don't dominate your painting. Mother nature is a girl full of nuance, and I'm sure you'll find your job a great deal easier, and more fun, using this particular palette. The three colors, identified in the photo by asterisks, are required of everyone. Be assured, nonetheless, that we'll figure it out, no matter what odd assortment you bring from your own paint box. And, certainly, bring some of your favorites for show and tell.
    (Click on image of palette to enlarge)


    Rembrandt mixed white #103 (Titanium-Zinc)
    Rembrandt Yellow Ochre Light #228
    Rembrandt Naples Yellow Deep #223 *(essential)
    Windsor Newton Yellow Ochre 744
    Rembrandt Dutch Vermillion Extra #316
    Rembrandt Brownish Madder #324 *(essential)
    Rembrandt Burnt Umber #409
    Rembrandt Ultramarine Blue Deep #506
    Windsor Newton Cerulean Blue #137
    Windsor Newton Alizarin Crimson permanent #004
    Holbein Compose Green #H284
    Old Holland Cad Green Light #D44
    Holbein Green Gray #H372
    Windsor Newton Prussian Green #540 *(essential)


    Brushes
    Donald uses (6) round bristle brushes by Raphael Series 358
    (3) No. 10
    (2) No. 6
    (1) No. 2

    Other
    Paper Towels (Donald uses Scott brand)
    B pencil, Kneaded eraser, sharpener
    Sketchbook *(Please bring a notebook or sketchbook to the museum visit).
    Paint box, bag or backpack to carry supplies
    Wet paint carrier (Available at Artmate or Raymar Art).
    Appropriate clothing for outdoor painting
    *(Average temp for June 5-8 in Perkinsville, VT, High: 73 - 74, Low: 49 -50)

    Optional
    Hat
    water bottle or drink, snack or fruit
    sunblock
    bug spray
    portable folding chair if you are uncomfortable standing
    camera
    Painting umbrella





    Art Supply List Scotland

    SUPPLY LIST
    (We will be painting outdoors, not far from our vehicles but think "light" and "portable"). There are many online art suppliers, Click any of these links to go directly to these sites:

    Easel
    or
    portable pochade box mounted on a photographers tripod for working outside.

    Palette
    Wooden palette

    Painting surface
    Bring 2 canvases for each painting day. 18x24" or smaller is recommended.
    *Wind River Arts carries Linen mounted canvas boards.

    Paint
    From Donald, regarding the palette: You will notice that there are 13 colors plus white, on the suggested palette list. Some of these colors may be new ones to you and some students may be surprised to see no cadmium yellows, cadmium red, or phthalo blue. I personally think that they are too strident for outdoor painting and they definitely require tremendous care to make sure they don't dominate your painting. Mother nature is a girl full of nuance, and I'm sure you'll find your job a great deal easier, and more fun, using this particular palette. The three colors, identified in the photo by asterisks, are required of everyone. Be assured, nonetheless, that we'll figure it out, no matter what odd assortment you bring from your own paint box. And, certainly, bring some of your favorites for show and tell.
    (Click on image of palette to enlarge)


    Rembrandt mixed white #103 (Titanium-Zinc)
    Rembrandt Yellow Ochre Light #228
    Rembrandt Naples Yellow Deep #223 *(essential)
    Windsor Newton Yellow Ochre 744
    Rembrandt Dutch Vermillion Extra #316
    Rembrandt Brownish Madder #324 *(essential)
    Rembrandt Burnt Umber #409
    Rembrandt Ultramarine Blue Deep #506
    Windsor Newton Cerulean Blue #137
    Windsor Newton Alizarin Crimson permanent #004
    Holbein Compose Green #H284
    Old Holland Cad Green Light #D44
    Holbein Green Gray #H372
    Windsor Newton Prussian Green #540 *(essential)



    Brushes
    Donald uses round bristle brushes by Raphael, Series 358 Buy
    as many as you can afford, in this proportion.
    (3) No. 10
    (2) No. 6
    (1) No. 2


    Medium and Solvent
    We are NOT permitted to fly with Liquin or with solvents
    (mineral spirits/paint thinner, turpentine, gamsol, etc.)
    Donald will arrange for there to be sufficient Liquin and mineral
    spirits available when we arrive in Callander. There will be a
    charge for these. 500ml bottle of Liquin Original is 21.95GBP = $35.00
    There will be a nominal charge for mineral spirits.
    Make sure you bring empty, sealable containers with you for
    your Liquin and thinner.



    Other
    Paper Towels (if you have extra room when packing, you may want to fill it up
    with paper towel. The local paper towel is thin and small.)
    B pencil, Kneaded eraser, sharpener
    Sketchbook
    Paint box, bag or backpack to carry supplies
    Wet paint carrier (Available at Artmate or Raymar Art).
    Appropriate clothing for outdoor painting
    (The weather will be cool during the day, requiring a sweater and,
    likely, a jacket or fleece. At night, it will be cold. Be prepared for  the possibility that it may be blustery, or occasionally wet. Bring some waterproof foot gear)

    Optional
    Hat
    water bottle
    sunblock
    camera
    Painting umbrella






    Friday, October 14, 2011

    Reserve Workshop and Payment (Vermont June 2012)

    The cost of the workshop is $450.00 US and includes the workshop only. Participants are responsible for their own accommodations, transportation and meals. There are 15 spaces in this workshop and they are expected to fill. To reserve your space please email workshop monitor Todd Bonita at tmbonita@gmail.com or call (603) 819-9100 and send a check for the deposit, made payable to Donald Jurney, for $225.00 to:

    Donald Jurney
    9 Strong Street
    Newburyport, MA 01950

    This reservation fee of $225.00 is non-refundable after April 05, 2012. Please pay in full the remaining $225.00 balance no later than May 05, 2012.